ART
The Trouble with Occupying Others: Althea Thauberger Confronts the Violence of the Archive – Momus
Joseph Tisiga Unsettles Exoticism with Mythic Force at Parisian Laundry – Momus
The Five Disappearances of Tammi Campbell – Momus
From a Safe Distance: Guy Maddin Stills His Lens with Collage – Momus
New Union Station Glass Installation Lets the Darkness Through – Torontoist
The Depressing Power of Art in Raphaëlle de Groot’s “Summit Meetings” – Momus
The Temptation of Everything in Michael Dudek’s “Messiah Complex 5.0” – Momus
What the %@&*! Happened to Free Speech? – Torontoist
Brooklyn Is Everything: Artworlds Apart in a Gentrified Borough – Momus
The Miserable Quips of Brad Philips – Momus
Sound Artist Crys Cole Tunes Her Audience – Blouin ARTINFO
Up Close and Distant: Cronenberg Seeks Contact – Blouin ARTINFO
French Filmmaker Claire Denis Makes War on “Bastards” – Blouin ARTINFO
Sovereignty and Silence in Catherine Martin’s “Une Jeune Fille” – Blouin ARTINFO
“Asphalt Watches” Charts the Psychic Highway – Blouin ARTINFO
Track-by-Track: Dog Day’s “Fade Out” – ARTINFO
Deaf Percussionist Evelyn Glennie Cuts the Noise – ARTINFO
What Not to Ask Yo La Tengo in an Interview – ARTINFO
Edgar Reitz on “Home from Home” – ARTINFO
“My Eyes Are Wide Open”: Alanis Obomsawin On Our Duty to History – ARTINFO
Neither Fish Nor Flesh: Stephen Marche – Maisonneuve
DANCE
Mass Movement: Dancing in Sylvain Émard’s Le Super Méga Continental – The Dance Current
Where to Take a Dance Class in Montreal – The Main
Impressions from Montréal’s Festival TransAmériques – The Dance Current
Sign and Sound – The Dance Current
Fundamental Questions – The Dance Current
More of the Same Strange Forever – The Dance Current
A Wild Way Home in Le Petit Prince – The Dance Current
Haunted by the Real in Dana Michel’s “Mercurial George” – The Dance Current
Milles Batailles: Louise Lecavalier – The Dance Current
The Black Piece by Ann Van den Broek – The Dance Current
La Demarquise: Louise Bedard – The Dance Current
When Love Was Pink: Zoja Smutney – The Dance Current
A Mix of Light and Shadows: Dusk Dances 2015 – The Dance Current
Review: Gridlock (Larchaud Dance Project) – Mooney on Theatre
Review: This Is a Costume Drama (The Dietrich Group) – Mooney on Theatre
Review: Locus Plot (Peggy Baker Dance Projects) – Mooney on Theatre
Review: Me So You So Me (Out Interspace Dance Theatre) – Mooney on Theatre
Alice Dances with a Giant Cat in the National Ballet’s Wonderland – Torontoist
Review: Ce n’est pas la fin du monde (Sylvain Emard) – Mooney on Theatre
Review: Vincent Mantsoe (Danceworks) – Mooney on Theatre
Review: I’ll Crane for You (Christopher House) – Mooney on Theatre
Review: Triple Bill (Toronto Dance Theatre) – Mooney on Theatre
Review: Elsewhere (Adelhid) – Mooney on Theatre
The National Ballet’s “Innovation” Makes a Clean Sweep – Blouin ARTINFO
Choreographer Dana Gingras Masters Collapse in “New Animal” – Blouin ARTINFO
Big and Little Birds: Five Kinds of “Swan Lake” – Blouin ARTINFO
Akram Khan Goes Home in “Desh” – Blouin ARTINFO
Margie Gillis Dances a Radical Dickenson – Blouin ARTINFO