Criticism

ART

The Trouble with Occupying Others: Althea Thauberger Confronts the Violence of the Archive – Momus

Joseph Tisiga Unsettles Exoticism with Mythic Force at Parisian Laundry – Momus

The Five Disappearances of Tammi Campbell – Momus

From a Safe Distance: Guy Maddin Stills His Lens with Collage – Momus

New Union Station Glass Installation Lets the Darkness Through – Torontoist

The Depressing Power of Art in Raphaëlle de Groot’s “Summit Meetings” – Momus

The Temptation of Everything in Michael Dudek’s “Messiah Complex 5.0” – Momus

What the %@&*! Happened to Free Speech? – Torontoist

Brooklyn Is Everything: Artworlds Apart in a Gentrified Borough – Momus

The Miserable Quips of Brad Philips – Momus

Sound Artist Crys Cole Tunes Her Audience – Blouin ARTINFO

Up Close and Distant: Cronenberg Seeks Contact – Blouin ARTINFO

French Filmmaker Claire Denis Makes War on “Bastards” – Blouin ARTINFO

Sovereignty and Silence in Catherine Martin’s “Une Jeune Fille” – Blouin ARTINFO

“Asphalt Watches” Charts the Psychic Highway – Blouin ARTINFO

Track-by-Track: Dog Day’s “Fade Out” – ARTINFO

Deaf Percussionist Evelyn Glennie Cuts the Noise – ARTINFO

What Not to Ask Yo La Tengo in an Interview – ARTINFO

Edgar Reitz on “Home from Home” – ARTINFO

“My Eyes Are Wide Open”: Alanis Obomsawin On Our Duty to History – ARTINFO

Neither Fish Nor Flesh: Stephen Marche – Maisonneuve

DANCE

Mass Movement: Dancing in Sylvain Émard’s Le Super Méga Continental – The Dance Current

Where to Take a Dance Class in Montreal – The Main

Impressions from Montréal’s Festival TransAmériques – The Dance Current

Sign and Sound – The Dance Current

Fundamental Questions – The Dance Current

More of the Same Strange Forever – The Dance Current

A Wild Way Home in Le Petit Prince – The Dance Current

Haunted by the Real in Dana Michel’s “Mercurial George” – The Dance Current

Milles Batailles: Louise Lecavalier – The Dance Current

The Black Piece by Ann Van den Broek – The Dance Current

La Demarquise: Louise Bedard – The Dance Current

When Love Was Pink: Zoja Smutney – The Dance Current

A Mix of Light and Shadows: Dusk Dances 2015 – The Dance Current

Review: Gridlock (Larchaud Dance Project) – Mooney on Theatre

Review: This Is a Costume Drama (The Dietrich Group) – Mooney on Theatre

Review: Locus Plot (Peggy Baker Dance Projects) – Mooney on Theatre

Review: Me So You So Me (Out Interspace Dance Theatre) – Mooney on Theatre

Alice Dances with a Giant Cat in the National Ballet’s Wonderland – Torontoist

Review: Ce n’est pas la fin du monde (Sylvain Emard) – Mooney on Theatre

Review: Vincent Mantsoe (Danceworks) – Mooney on Theatre

Review: I’ll Crane for You (Christopher House) – Mooney on Theatre

Review: Triple Bill (Toronto Dance Theatre) – Mooney on Theatre

Review: Elsewhere (Adelhid) – Mooney on Theatre

The National Ballet’s “Innovation” Makes a Clean Sweep – Blouin ARTINFO

Choreographer Dana Gingras Masters Collapse in “New Animal” – Blouin ARTINFO

Big and Little Birds: Five Kinds of “Swan Lake” – Blouin ARTINFO

Akram Khan Goes Home in “Desh” – Blouin ARTINFO

Margie Gillis Dances a Radical Dickenson – Blouin ARTINFO