Dance Writing

Mass Movement: Dancing in Sylvain Émard’s Le Super Méga Continental – The Dance Current

Where to Take a Dance Class in Montreal – The Main

Impressions from Montréal’s Festival TransAmériques – The Dance Current

Sign and Sound – The Dance Current

Fundamental Questions – The Dance Current

More of the Same Strange Forever – The Dance Current

A Wild Way Home in Le Petit Prince – The Dance Current

Haunted by the Real in Dana Michel’s “Mercurial George” – The Dance Current

Milles Batailles: Louise Lecavalier – The Dance Current

The Black Piece by Ann Van den Broek – The Dance Current

La Demarquise: Louise Bedard – The Dance Current

When Love Was Pink: Zoja Smutney – The Dance Current

A Mix of Light and Shadows: Dusk Dances 2015 – The Dance Current

Review: Gridlock (Larchaud Dance Project) – Mooney on Theatre

Review: This Is a Costume Drama (The Dietrich Group) – Mooney on Theatre

Review: Locus Plot (Peggy Baker Dance Projects) – Mooney on Theatre

Review: Me So You So Me (Out Interspace Dance Theatre) – Mooney on Theatre

Alice Dances with a Giant Cat in the National Ballet’s Wonderland – Torontoist

Review: Ce n’est pas la fin du monde (Sylvain Emard) – Mooney on Theatre

Review: Vincent Mantsoe (Danceworks) – Mooney on Theatre

Review: I’ll Crane for You (Christopher House) – Mooney on Theatre

Review: Triple Bill (Toronto Dance Theatre) – Mooney on Theatre

Review: Elsewhere (Adelhid) – Mooney on Theatre

The National Ballet’s “Innovation” Makes a Clean Sweep – Blouin ARTINFO

Choreographer Dana Gingras Masters Collapse in “New Animal” – Blouin ARTINFO

Big and Little Birds: Five Kinds of “Swan Lake” – Blouin ARTINFO

Akram Khan Goes Home in “Desh” – Blouin ARTINFO

Margie Gillis Dances a Radical Dickenson – Blouin ARTINFO