Journalism

// Longform

Hell and High Water – Toronto Life

Fish n’ Fraud – Beside

The Untold Story of the Notorious Crossbow Killer – Toronto Life

Anger and Indifference on Lake Winnipeg – The Walrus

Fundamental Questions – The Dance Current

The Man Who Saved 200 Syrian Refugees – Toronto Life

The Pleasure Principle – The Walrus

The Limits in Landlord Accountability – Torontoist

Monster king Guillermo del Toro: The new face of Canadian film – Report on Business

When the Monks Come to Town – Maisonneuve

Mud and Butterflies – Maisonneuve

// Science & Tech

Is Cryptocurrency Our Money of the Future? – This.org

This Doctor Is Making Star Trek Dreams Come True: A Q&A with Julielynn Wong – Toronto Life

There’s a Tech Champion at City Hall: A Q&A with Michelle Holland – Toronto Life

How Companies Are Using Technology to Make Worker’s “Happy” in Their Crappy Jobs – Motherboard

This Canadian Startup Can Track Your Emotions Through a Fitness Monitor – Motherboard

How a Pharmacist Is Planning to Overthrow the Tyranny of Doctors – Motherboard

This Diabetes Activist Hacked Her Medical Device and Made an Artificial Pancreas – Motherboard

This Silicon Valley Billionaire Wants to Give Us All Robot Bodies – Motherboard

A Canadian Startup Wants to Replace Drone Batteries with a Gas Engine – Motherboard

How Waterloo Became a World-Class Robotics Hub – Report on Business (SUBSCRIBER)

The Final Install: Say Goodbye to Buying Software – Report on Business

Every Catastrophe Ever Devised has Happened on this Fake Pacific Island – Motherboard

These Bioengineered Tobacco Plants Are Growing Pharmaceuticals of the Future – Motherboard

Forget Dams: Let’s Store Extra Energy in Rocks on Trains and Underwater Balloons – Motherboard

This Gecko-Inspired Wearable Is Based on a Primal Motive for Self-Adornment – Motherboard

Increasingly, people are tracking their every move – The Toronto Star

Writing

New dad finds reason for hope amidst climate change – Broadview

How a Grassroots Movement Saved Nova Scotia’s Untamed Islands – Beside Magazine

Rethinking fatherhood: lessons from Canada’s first paraplegic Ironman – Today’s Parent

The Genius Who Missed Silicon Valley’s Biggest Breakthrough – Medium

Landlord Licensing: A Solution to Toronto’s Tenant Woes? – Torontoist

Is Porn Desensitizing Men to Violence Against Women? – Toronto Star

Miracles Are Arbitrary and Meaningless – Maisonneuve

Lucky Strikes – Maisonneuve

Who Deserves to Be Called “Canada’s Trump”? – Toronto Life

Toronto’s Twice-Annual Avian Massacre Begins Now – Torontoist

Exploring Toronto’s Hidden Waterfronts – Torontoist

Toronto’s Buildings Are Designed for the Sun – Torontoist

Could Toronto police be made to answer to the city for their out-of-control budget? – Toronto Life

Stupid for Art – Maisonneuve

The Tiger and the Donkey: A Story from Palestine – Maisonneuve

The Green Room Is a Bar I Went to Once that has Since Burned Down – Maisonneuve

Miracles Are Arbitrary and Meaningless – Maisonneuve

The New Testament, Abridged – Maisonneuve

My Fear of Toilets – Maisonneuve

// Podcasts

Demons – Trampoline Hall (lecture)

The Death of Genre – Lipstick Studios (interview)

// Audio walks

The Slow Now – Accounts and Records / Koffler Digital (writer)

Passing Through – Accounts and Records / Koffler Digital (writer)

Criticism

ART

The Trouble with Occupying Others: Althea Thauberger Confronts the Violence of the Archive – Momus

Joseph Tisiga Unsettles Exoticism with Mythic Force at Parisian Laundry – Momus

The Five Disappearances of Tammi Campbell – Momus

From a Safe Distance: Guy Maddin Stills His Lens with Collage – Momus

New Union Station Glass Installation Lets the Darkness Through – Torontoist

The Depressing Power of Art in Raphaëlle de Groot’s “Summit Meetings” – Momus

The Temptation of Everything in Michael Dudek’s “Messiah Complex 5.0” – Momus

What the %@&*! Happened to Free Speech? – Torontoist

Brooklyn Is Everything: Artworlds Apart in a Gentrified Borough – Momus

The Miserable Quips of Brad Philips – Momus

Sound Artist Crys Cole Tunes Her Audience – Blouin ARTINFO

Up Close and Distant: Cronenberg Seeks Contact – Blouin ARTINFO

French Filmmaker Claire Denis Makes War on “Bastards” – Blouin ARTINFO

Sovereignty and Silence in Catherine Martin’s “Une Jeune Fille” – Blouin ARTINFO

“Asphalt Watches” Charts the Psychic Highway – Blouin ARTINFO

Track-by-Track: Dog Day’s “Fade Out” – ARTINFO

Deaf Percussionist Evelyn Glennie Cuts the Noise – ARTINFO

What Not to Ask Yo La Tengo in an Interview – ARTINFO

Edgar Reitz on “Home from Home” – ARTINFO

“My Eyes Are Wide Open”: Alanis Obomsawin On Our Duty to History – ARTINFO

Neither Fish Nor Flesh: Stephen Marche – Maisonneuve

DANCE

Mass Movement: Dancing in Sylvain Émard’s Le Super Méga Continental – The Dance Current

Where to Take a Dance Class in Montreal – The Main

Impressions from Montréal’s Festival TransAmériques – The Dance Current

Sign and Sound – The Dance Current

Fundamental Questions – The Dance Current

More of the Same Strange Forever – The Dance Current

A Wild Way Home in Le Petit Prince – The Dance Current

Haunted by the Real in Dana Michel’s “Mercurial George” – The Dance Current

Milles Batailles: Louise Lecavalier – The Dance Current

The Black Piece by Ann Van den Broek – The Dance Current

La Demarquise: Louise Bedard – The Dance Current

When Love Was Pink: Zoja Smutney – The Dance Current

A Mix of Light and Shadows: Dusk Dances 2015 – The Dance Current

Review: Gridlock (Larchaud Dance Project) – Mooney on Theatre

Review: This Is a Costume Drama (The Dietrich Group) – Mooney on Theatre

Review: Locus Plot (Peggy Baker Dance Projects) – Mooney on Theatre

Review: Me So You So Me (Out Interspace Dance Theatre) – Mooney on Theatre

Alice Dances with a Giant Cat in the National Ballet’s Wonderland – Torontoist

Review: Ce n’est pas la fin du monde (Sylvain Emard) – Mooney on Theatre

Review: Vincent Mantsoe (Danceworks) – Mooney on Theatre

Review: I’ll Crane for You (Christopher House) – Mooney on Theatre

Review: Triple Bill (Toronto Dance Theatre) – Mooney on Theatre

Review: Elsewhere (Adelhid) – Mooney on Theatre

The National Ballet’s “Innovation” Makes a Clean Sweep – Blouin ARTINFO

Choreographer Dana Gingras Masters Collapse in “New Animal” – Blouin ARTINFO

Big and Little Birds: Five Kinds of “Swan Lake” – Blouin ARTINFO

Akram Khan Goes Home in “Desh” – Blouin ARTINFO

Margie Gillis Dances a Radical Dickenson – Blouin ARTINFO